New Conference Paper: Meteor Strikes Recorded in Prehistoric Art: From Göbekli Tepe to Lascaux
The following paper will be presented at the conference "Fourth International Symposium on Megalithic Monuments and Cult Practices", October 10-14, South West University "Neofit Rilski", Bulgaria.
METEOR STRIKES RECORDED IN PREHISTORIC ART: FROM GÖBEKLI
TEPE TO LASCAUX
Martin B. Sweatman
Abstract: Earth has endured an episode of coherent catastrophism
over the last 20-30 thousand years or so. This means strikes by comet fragments
were much more common and violent during this period than the long-term
average. Over most of this time, humans were unable to record these comet
strikes in writing. But, it seems they were still able to record what happened
to them, and when, with a form of proto-writing that involved constellations
and precession of the equinoxes. Here, I describe evidence for two cosmic
impacts recorded on stone; Pillar 43 at Göbekli Tepe and the Lascaux Shaft
Scene. Each is an artistic masterpiece designed to endure. The impact described
at Göbekli Tepe is probably the well-known but controversial Younger Dryas
impact. This, it seems, was a pivotal moment in pre-history, as it ushered-in
the agricultural transition in the Fertile Crescent. The impact probably
recorded by the Lascaux Shaft Scene is currently unknown. Nevertheless, it
appears to have had an equally dramatic effect on the hunter-gathers of
south-west France. One that took millennia to recover from. Both these cosmic
impacts seem to be described using almost the same kind of proto-writing and
similar constellations. Are there other prehistoric examples waiting to be
decoded?
On reading it through again I noticed a mistake in the section "The pillars of Gobekli Tepe".
The sentence should be "The earliest radiocarbon dates yet recovered (from Enclosure D) are around 1200 years YOUNGER than the Younger Dryas impact ...". Not OLDER. Oops.
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